Tuesday, May 6, 2014

Links to Coltrane and Godzilla. What I'm listening to

Because every now and then I need to take a break from writing about car accidents, fires and editing the lame detective book I wrote; I’m putting together a quick five part list of music I think is good.

Coltrane seemed to pushing ahead with every note he played; and never to a greater extent to this album that was recorded in December of 1964 and released in 1965. I have been listening to this 33 minute recording on loop for several weeks now and each time I'm blown always by the expansive emotion of you can feel coming from his saxophone. Part of it comes from the voice of the record even though only three words are chanted halfway through the first track, "Acknowledgement."

During the second and third tracks, “Resolution” and “Pursuance” respectfully, Coltrane’s saxophone wails outside of the standard scale of where the song should go, before going back into the grove where it then catapults the song forward.

My fiancé called me today while I was listening to it and I described part 2 on the record as being tossed around in the sea during a storm. That’s a good thing in my view—I like being on in a small boat in high winds.

An underrated aspect “A Love Supreme,” I’ve noticed missing from other articles about it is the interplay between the piano player and the drummer. There are moments towards the end that sound more intricate—and for lack of a better word—more hardcore, than anything ever played by a speed metal band.

I spend a lot of time driving north of Detroit and the rap stations in the city have been playing this song non-stop for the last two weeks. Slim Shady proves that he can still rap more skillfully than other rappers out there (well at least more skillfully than 2 Chains or whoever the else is popular right now.) Now that I’m on the eastside of the state I hope to go to a good rap concert sometime soon, although I know I won’t be able to afford tickets to his shows in Detroit at Comerica Park.

On a side note, it’s nice to hear Eminem rap without having to put up with a highly computerized hook featuring a pretty girl every freaking 30 seconds during the chorus.

I planned on hating this record. Everything I’ve heard about Coleman is that he’s too out there; even Miles Davis once said he thought Coleman was insane. However even though the horns don’t seem where “they should be” this record works. I listened to it for the first time Tuesday as I was trying to jog for the first time in a while.

The drum beat changes quickly when you don’t expect it to, even in the records first track “Lonely Woman,” but that’s what keeps the music exciting. The tone of the instruments is also different. While the band doesn’t remain in a groove for long, when it’s there— it makes the moment count.

If I ever played first base for the Detroit Tigers, I know what my walk up music would be. The original 1954 main theme (track 2) is the most instantly recognizable sound in the movies, but the dread of “Godzilla Comes Ashore” is a strange mix of classical music, jazz and classic monster movie sound.
I’d love that sound playing on a pitcher’s mind as I made my way to the plate. It would be much better than some players. (I’m looking at you Ben Zobrist.)

The rest of the album isn’t bad if you’re listening to headphones, but I wouldn’t recommend bumping the songs while driving around in a car this summer. Well except for “Mothra’s Song,” this is basically a pop song that is supposed to be sung by two magical Japanese fairies that are 6 inches tall. And this song rocks in any situation.  

Fun fact Godzilla’s roar was originally made by rubbing a leather glove down the strings of a bass. 

The biggest song on this was “Rosa Parks,” but if you listen to the whole record you find that the hit single flows effortlessly with the rest of the album. Standout tracks are “Synthesizer” featuring George Clinton and “Da Art of Storytelling,” parts one and two.


I’m not a huge fan of rap, but this record shows where the style can go if rappers really wants to tell a story. The music itself is great, but the images Andre 3000 and Big Boi give the listener could be audio books or poems by themselves. 

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